Facsimiles of Luhmann 9/8 zettels laid out on canvas
How does the layout of zettels influence our perception of Luhmann's folgezettel structure?
Here's an experiment that uses facsimiles of all zettels in branch 9/8. Note sequences are indicated by overlapping zettels. The black arrows indicate new note sequences branching off. The red arrow indicates a note sequence attached with a red number.
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