Why I Am a Bad Correspondent
For all of us aspiring writers and Zettelkasten creators, I came across this sobering article on Neal Stephenson's web site:
https://www.nealstephenson.com/why-i-am-a-bad-correspondent.html
I also wondered if it had any application to the proportion of time I spend on this forum compared to writing zettels
Howdy, Stranger!
Comments
My take:
Interesting observation: Piotr Wozniak (spaced repetition neuroscientist) has spent decades basing his entire life around the process of incremental reading and writing, to the extent that all emails are processed incrementally. During his daily reading sessions he will flip through the various articles and material he has queued up, and interleaved in that are the emails and whatnot that he receives. He will read a few sentences or a paragraph, perhaps make a note, perhaps respond to that one part, and then set a priority for how important he thinks that item (the email) is. Based on that priority it will be shown to him again in a few days, weeks, or months. At that time he will read the next section, perhaps make a note on it, perhaps respond to the person again, and repeat until it is completely processed.
Because of this a correspondent can send an email, not hear anything for weeks or months, then sporadically receive replies from him in small chunks spread out again over week or months or more.
But it works for him and he has done a significant amount of research as a result.
I am also guilty of this...![:grimace: :grimace:](http://forum.zettelkasten.de/resources/emoji/grimace.png)
Although it is not directly related to the topic of correspondence,
I think the underlying idea of this blog post resonates with my dilemma
in making choice on how to distribute my attention. I created a
post in this forum. I am sorry for not continuous sharing the
thoughts after inputs from you because I am still learning,
experimenting, and documenting this journey.
The more effort one puts into one single thing, the higher quality of the
final product will be. This is something that I know, but I
suspect that I had deeper thoughts about the ultimate goal of one's
life.
If someone does not produce anything to the world other than
himself, then he will be stressed to survive. The problem is that
he can produce something that is able to support his very basic
demanding of survival. If the finished work improves the
skill-sets and it is a public effort, it will ease some of the
survival stress out of his mind.
However, if he has the ultimate goal of exploring new ideas
across vast different domains other than making visible products,
this will lead his attentions to scatter other than the narrowed
domain.
If someone needs visible products with a high level of quality, the
strategy with laser-focus is better than exploring and
documenting new ideas across different domains.
If someone's meaning of life, i.e. what he values most, is not
rely on making visible products with a high level of quality, I
think the laser-focus strategy is not the best way to achieve that.
Thanks for sharing. Super intriguing.
Joe Gilder
www.youtube.com/homestudiocorner
Perhaps the following quotation from Christina Luo might be of use in the above conversation:
"Productivity is about managing emotions as much as projects. Yet we often focus on productivity as a tool set more than a mindset. Our proximity to an abundance of information makes us think we’re making progress when we’re merely deciding how to react to stimuli. The means of note-taking, task-making, and time-tracking become ends in themselves as we conflate an app’s efficiency and memory with our own. There’s something paranoid about the way we configure and connect our tools to each other, and eventually back to ourselves."
@jamesrregan, this is a stimulating quote. Where is it from?
This sounds like a description of the collector’s fallacy but not for the usual web clipping, articles, books, podcasts, etc. Luo points directly at "note-taking, task-making, and time-tracking" as equivalent to just collecting - instead of connecting and interacting, "eventually back to ourselves."
You must engage with your ideas in a meaningful way. Your ongoing interaction is the key to success. It’s not the note the cries out for interaction but the ideas the note presents.
The definition of progress is one mistake after another. You have to make mistakes to learn and progress. Advice to younger self - strive for mistakes, hunt them down, relish in them, court them. Listen to what they tell you. There is no progressive path that doesn't course the minefield of mistakes.
It’s a messy business.
Will Simpson
I must keep doing my best even though I'm a failure. My peak cognition is behind me. One day soon I will read my last book, write my last note, eat my last meal, and kiss my sweetie for the last time.
kestrelcreek.com
Christina Luo's quote comes from an article called Paranoid Productivity that was published last week by Praxis. A significant part of the article is behind a firewall, but there is enough introductory material on the landing page to point you to the ideas and to the scholarship of Eve Sedgewick)
https://every.to/praxis/paranoid-productivity-c14ef47b-af8a-4bdc-b475-fd4da8dc6cc2
Sedgewick's article was eventually published as a chapter in a 2003 book called Touching Feeling. In the book, the chapter she wrote is called "Paranoid Reading and Reparative Reading, or You're So Paranoid You Probably Think This Essay is About You."
Will, your comment regarding a "messy business" is so true. Although in somewhat of a different context, it's a comment I first read in the work of Andrew Abbott from the University of Chicago. His book, and one of my favorites, Digital Paper: A manual for research and writing with library and Internet materials, is where I first encountered the idea.
Thanks, @jamesrregan. My library has Segewick's book on the shelf next to one of my favorite author's David Sedaris. I'm headed to town tomorrow to check it out.
Will Simpson
I must keep doing my best even though I'm a failure. My peak cognition is behind me. One day soon I will read my last book, write my last note, eat my last meal, and kiss my sweetie for the last time.
kestrelcreek.com
There was a pithy comment I saw somewhere recently, perhaps on reddit, that was similar to this that simply said:
I think there's two levels at which that can be read:
The second one would provide more engagement which could lead to more disciplined approaches to focused output, aka "productivity."
The second reading also calls to mind the strategies of Cal Newport and others on focusing on major life works (whatever those may be, including raising a family or career aspirations or anything else) and allowing those to drive us to focus more on ensuring our visions become reality.
I have a problem similar to this.
In my case it's fiction writing. I've noticed that I either write notes in ZK or write prose for fun. Partly it happens due to time constraints. But I've also found that I lose an ability to analyze the material I put into my ZK when I've spent some time making up stuff for ficton. Probably because same part of the brain is responsible for both processes and that part gets tired.
It's inconvenient, but it's the way my brain works and nobody would be able to do anything about it.
I've no idea why I share this.
Good insight into yourself - it's important to know how you function and when you need to take a rest. Age does terrible things to us, as well (sigh).
Assuming this advice has better than an ice cube's chances in Hell, try to make a virtue out of what Freud called internal conflict. Freud is credited with the proposal, confirmed by neuroscience decades later, that the mind is modular. What might that mean for a writer? (I grew up in a family of artists, writers, and musicians.) Intentionally switch modules for different kinds of writing. It would help to keep track of which module wrote what. Now I sound like a charlatan.![:trollface: :trollface:](http://forum.zettelkasten.de/resources/emoji/trollface.png)
GitHub. Erdős #2. CC BY-SA 4.0. Problems worthy of attack / prove their worth by hitting back. -- Piet Hein.
I second what @ZettelDistraction is saying. It seems that there are two mental forces at play in our minds. Examples:
In my opinion, it is very trainable to flow between those modes or even achieve a balanced mode which Waitzkin would perhaps call soft zone.[][#waitzkin2007]
[#brande2009]: Brande, D. (2009). Schriftsteller werden: Der Klassiker über das Schreiben und die Entwicklung zum Schriftsteller (3. Auflage.). Berlin: Autorenhaus.
[#coyne2015]: Shawn Coyne (2015): The Story Grid. What Good Editors Know, USA: Black Irish Entertainment LLC.
[#kawasaki2012]: Kawasaki, G. & Welch, S. (). APE: Author, Publisher, Entrepreneur-How to Publish a Book
[#mcgilchrist2009]: Iain McGilchrist (2009): The Master and his Emissary. The Divided Brain and the Making of the Western World, Totton: Yale University Press.
[#scott2013]: Scott, S. J. (). Writing Habit Mastery - How to Write 2,000 Words a Day and Forever Cure Writer's Block.
[#silvia2007]: Silvia, P. J. (2007). How to Write a Lot: A Practical Guide to Productive Academic Writing (1). American Psychological Association.
[#waitzkin2007]: Josh Waitzkin (2007): The Art of Learning: An Inner Journey to Optimal Performance, New York: Free Press.
I am a Zettler
@GeoEng51 This reminds me of the apology page of Super Memo Guru
@Nick
Haha! Good quote!!